This post was written by my incredible friend, Kayla MacNeille, and may or may not be about her writer friend named Laney.

One of the benefits of residency is that I get to uproot my life every few years, ditching the nagging responsibility of upholding friendships with even my closest friends. As an added bonus, this means I get to collect friends like I used to collect snow globes–the more, the merrier! Ah, the extrovert’s dream.

One of my most recent friends is a writer, like me, which is what initially sparked the bond between us. We spend a lot of time motivating each other through the writers’ block and applauding each other through the successes. But a friendship cannot be all good times. We have struggles, as does any relationship. Most recently I’ve had to learn how to appear outwardly as though I support her enthusiasm for cats.

(Image credit: Trends&More)

She got a cat hoodie for Christmas. Just now I considered Googling what these are actually called, but I really don’t want to know. To summarize this life choice, it is a casual, comfy hoodie, ruined by a cat-sized pocket in the front where you can inconveniently carry around that tiny thing that is almost a baby, but definitely isn’t. She loves her new Ergo Kitty, though I can’t comprehend why.

She assures me that every good writer needs a cat. She’s been attempting this line of brainwashing for several months now, even before she rescued her newest, littlest cat. Now that she has one the size of a human fist, she seems to think I will be won over by it’s cuteness. Sure, it’s okay looking, and it certainly explains something about those stuffed animal cats with the oversized sparkly eyes. But I fail to see why I would introduce something to my life that only impedes my progress by scratching my kid, extending my bathroom to the hallway with its litter box, and sitting on my keyboard.

There is a hashtag on Instagram–#cats_of_insragram–that I plan to research later if I can stomach it. That’s how good of a friend this girl is. It’s always good to explore points of view that are different from your own, right? Maybe if I need more material I’ll check out #catinstagram or #igcats. There must be a good explanation for the madness. Until I find it, I’ll stick to my hoodie with a cell-phone sized pocket and keep my keyboard cat-hair free.

By Kayla MacNeille
Also published on Your Resident Writer: yourresidentwriter.wordpress.com
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My soul is crooked and dark, depraved and destined for hell. At least, that’s what Pastor Jeff told me…

Smile, Sawyer. I couldn’t. Stop crying. I tried to stop. You’re defiant. I had to be. Don’t you love me? No. Don’t you love Jesus? I didn’t know anymore. Why can’t you obey like Simone? Because I’d rather go to hell. Simone, show Sawyer how to be good. I didn’t want to watch. Sawyer, open your eyes. I did. To Simone’s—blue, clear like shattered glass. Shattered by the threat of hell. Shattered by Jeff.

The therapist I was forced to see wanted me to talk about this, I presumed, since she wanted me to talk about my childhood, about anything that could have led to my December incident.

Bitch, please.

“Is there anything on your mind, Sawyer?” Dr. Harper started each session with the same wordless stare before crumbling into this question. She had two personas: soft, sweet therapist with a gentle manner, and assertive pain in my ass. I imagined her psyching herself up for our forty-five minutes twice each week. I liked to picture her in front of the mirror saying some kind of Sawyer-specific mantra—I will make it through the whole session as sweet-therapist. I will not break character. I would have felt bad for her if she wasn’t making so much money off my incarceration.

Her simple question, “Is there anything on your mind, Sawyer?” was already an admission of defeat. Every session was a game of Talk Chicken. Who would cave to fill the awkward silence first? The first time was the longest, a full six minutes before she broke. Our fourth round, the undefeated champion: me.

I shook my head.

“You’ve been here for two weeks now.” Was that all? She crossed her legs and propped her delicate face in her spider-leg fingers with her elbow on the arm of the chair. “How have you been adjusting?”

I shrugged.

“Do you like your roommate?”

“I don’t like that she has six pillows.”

“Are you saying you don’t have enough pillows?”

“I have one.” Which wouldn’t be a problem if it wasn’t paper thin and my spine wasn’t battered from years of gymnastics and cheer. “The second night I was here, I asked one of the nurses for a second one, and she said they were all out. But I knew where they were. She offered me a Trazodone to help me sleep.”

“Did you take it?”

“No. I don’t need medication.”

“I have here in my notes,” she started as she lifted a page in my file, “that you are on Effexor and Zoloft daily, Xanax as needed, and were given an injection of Haldol on the tenth. Are you saying you’re not swallowing your medication?”

“Haldol? Is that booty juice?”

“Yes. Did something happen on the tenth?”

“Sure.” I switched my bare feet to squish under the opposite knees. “Some nurses pushed me face down on the solitary room bed, then pulled off my leggings and panties.”

“I’m sorry if the shot was triggering for you.”

I scoffed. “It’s not a trigger. Nothing’s a trigger. It’s just normal instinct to fight someone when they pin you down and take your clothes off, isn’t it?”

“What led up to the ‘booty juice?’” she asked, but she already knew. She had the file.

“I’m told I threw a chair at Louie…” I flicked my fingers as if I this had yet to be proven to me. “During lunch, apparently.”

“You don’t remember?”

“Of course I remember,” I lied.

“Okay.” She lifted her chin from her palm, her brown hair swishing over her collarbone as she challenged me. “Where’d you hit him?”

“In the thigh.” Lying again. And to a psychologist, which was basically lying to a mind reader.

“No, Sawyer, you missed.”

Shit. Of course I missed. I should have guessed that. Dad always said I had terrible aim.

I crossed my arms. “Then why did I get booty juiced?”

“What was the last thing you remember before throwing the chair?”

“I don’t know.”

“Can you tell me why you did it?”

I shook my head, though I knew. Sure, I was violent, but not without reason.

She softened her voice and leaned forward, her sharp elbows poking into her knees. “Sawyer, I know what he called you. Were you feeling unsafe?”

I snickered. “You all say that word a lot, you know? Feeling. Like everything I experience is some delusion, a deviation from fact. But if you know what he called me, you know I wasn’t feeling unsafe. I was unsafe.”

“I’m sorry. I didn’t mean—”

“It’s almost visiting hours. Can I leave now?” I asked as I dropped my feet to the carpet.

She sighed, her eyes moving past me at the clock on the wall. “You may, but do you understand the conditions of your hospitalization?”

“I’m here to pay my debt to society.”

“You’re here to get help—”

“Mandated by the courts.”

“But if you don’t let us help you, we can decide that it is in your best interest to stay longer. If you continue to cut your sessions short—”

“Okay.” I sighed and bounced my toes against the floor. It was probably a psych patient thing; I’d scan any circle of us here and find a lot of restless legs and fingers. Or maybe it was just this place. It was January, and the AC was blasting. We were all bundled up in our drawstring-free hoodies, shaking to get warm. “Tell me what I need to do to get out of here.”

“Basically, I can’t sign off on your discharge until I have evidence you’re not going to repeat the kind of behavior that got you arrested last month. Are you ready to tell me about that night?”

“Isn’t everything in my file?”

“I meant talk about it for your sake, not mine.”

“I’ve already told the story a hundred times: to the police, to my lawyer, to the shrink who evaluated me for the plea bargain—”

“Right, but you haven’t talked about how you felt.”

I summoned my most melodramatic eye roll yet. I could imagine Dr. Harper’s view of it: the white of my eyes showing as my pupils revolved back into my head in slow motion. Contemptuous and gorgeous. I’d been working on it for years. “I feel that it wasn’t my fault. I feel that I shouldn’t be locked up here. I feel that it is unfair.”

“Unfair, okay—”

“If I have to stay, can we talk about something else?” I sank back into the couch, crossed my arms, and kicked my bare feet onto the table, one ankle dropping onto the other.

“Of course, Sawyer. What’s on your mind?”

“Nothing.”

Dr. Harper sighed discreetly and flipped through my file. “Why don’t we talk about your CBT assignment from yesterday?” She pulled out a stapled packet of papers, glanced at it, then dropped it on the coffee table between us. Her needlelike fingertips pivoted it my direction. “I was intrigued by how you filled it out.” That was shrink talk for—I was pissed to see that you didn’t even try to follow the directions.

I didn’t have to see the Behavior Chain Analysis form, which was a diagram of blank bubbles representing links in a chain from a trigger to a bad behavior, to know what I wrote. The idea was for us to fill in all the bubbles, and then find the best link in the chain to break before we misbehaved again. Over the entire page, I had scrawled JAKE in intricately filled bold letters.

“What was the problem behavior you were trying to address?”

“December 2.”

She nodded. The date was more than enough to explain. “And who is Jake?”

I slide the envelope across the table, careful to avoid the condensation ring left by Sean’s whiskey on ice. He stares down at the black (12) on the upper right corner and rolls his eyes. Good. He has heard of us.

“I’m not interested in whatever you think you have in here.” Sean shoves it back toward me before he stands that pompous way famous assholes like him do—straightening his jacket, ducking his chin to pretend he doesn’t want anyone to recognize him, looking around hoping someone does. Always soaking up the spotlight. Always too big to fall.

Except he’s not. No, I mean physically. On his feet, he’s short. These stars always seem like they’ll be tall, but they are often smaller than they appear on screen.

Right now, he’s puny.

My fingers intertwine, and I glare up at him through my eyebrows. These precious seconds are my favorite of any meeting—the moment after the scale tips but before the prick in front of me knows it’s no longer in his favor. “No problem, I’m sure the state will place Micah in a good home.” He pauses, the fingertips of his right hand lingering on the table’s surface. “The first foster home I went to was.” I continue. “My new parents tried to hide the fact that they weren’t interested in taking care of an eleven-year-old, especially one who looked like me.” I tilt my head and narrow my eyes on Sean. “Luckily, their teenage son had a thing for ‘dark girls with tight pussies.’ I’m sure Micah will find a foster brother or sister to fondle him, just like I did.”

Sean crashes into the booth in front of me and hisses, “What do you want?”

I nod toward the manila envelope he has yet to open. He huffs as he tears into it, then sifts through the evidence I’ve compiled linking him to his bastard son, the mother of whom is an undocumented immigrant. Deporting her would be a breeze. And God knows Sean won’t want the inconvenience of his child. “After what you did to Samson’s client, I thought for sure you wouldn’t mind your son having an older friend to play naked games with.”

He glowers at me and sighs. “Client?”

“You’ve sexually assaulted more than one of your backup dancers? It’s that hard to keep track?” When he refuses to answer, I continue, “Denise Arden wants her job back and a 20% raise.”

He scoffs. “We replaced her.”

“I know,” I sympathize. “I don’t know why she wants to work for her rapist, but she insisted.”

“If this is about the money, I can pay—”

“Your hush money? No, I’m afraid she doesn’t want any more of that.”

“She signed an NDA. Legally, I should get that money back now.”

“Now that I know that you raped her?” I smile in response to his silent fuming. “No, she’s in compliance with her NDA. She wasn’t the only one who knew what you did to her. Next time, pay off all the people you harass.” He’s drumming his fingers on the table. Buying time. Searching for a way out of this. I spread my elbows to the left and right and lean toward him. My voice low, I ask, “What was your favorite part? How she tasted? When she said ‘no?’ That made you hard, huh, when she didn’t want it. Do you like it when she begged you to stop? Did you fire her when she quit resisting? When it wasn’t fun anymore?”

His words are cold when he says, “She got boring. All of them do when they think they’re too good to get on their knees for the job.”

“Well,” I sit back and pull a packet of paper from my bag, “she won’t be boring now, will she?”

His lips twist into a smirk. “No. I suppose she won’t.”

I hand him the contract Denise and I drafted. “If you’d be so kind as to sign this. Please initial all the highlighted portions. Denise’s agent will be in touch, and you’ll never hear from me again.” I watch as he does, then snap pictures of each page once he returns them.

As he straightens from the table and smooths the buttons of his shirt, I say, “You know, you should always read what you sign.” Then into my shirt, I ask, “That should be enough to start, right?”

The plain clothes police officers in the booth behind me start toward Sean. The woman pulls handcuffs from her jacket pocket. Sean shouts over her while she reads him his rights, “I didn’t confess to anything. What the fuck is this?”

I hold my phone up and take another photo, this one of him getting arrested. Then I read from the page he signed, “‘I the undersigned, confess to forcibly raping Denise Arden on multiple occasions from the start of her employment in May 2017 to her dismissal…’ It goes on from there.” I tap on my phone. “And now TMZ knows.”

“They can’t make any of this stick.”

I shrug. “We really don’t care.” And we don’t. It just takes one, one survivor to step up and accuse a star of sexual misconduct, one domino to tip and knock the rest over. His other victims will come forward in the upcoming months. As long as his career is over, we don’t care if the police lock him up or not.

I snatch the envelope of blackmail from the floor and tuck it in my bag. I know what Denise requested, but I just can’t let the police have Micah’s mom. If they want her gone, they’ll figure it out themselves. My head ducks toward my chest when I scoot past the cops on my way to the exit. I’m not a fan of collaborating with the police, but Denise insisted. And I give my clients what they ask for—holistic justice.

Denise signed a nondisclosure agreement when she and her crackpot lawyer sat with Sean’s attorney. Money was exchanged, the amount, of course, she can’t tell me. Why they paid her, she, again, can’t disclose. I asked instead for a list of friends, family, coworkers, who could tell me her story for her. I didn’t need the whole truth, just enough to make him squirm.

She has her holistic justice. I have my thirty grand. Or most of it.

On my way out of the strip club, I message Denise from my Google number specific to her case: Without a hitch. LAPD have him in custody. Please wire remaining funds.

She replies within the minute. Funds transferred. Thank you.

Now I have my thirty grand. I don’t usually charge so much, but I showed my face to a high profile target and the police. Plus, she’ll get that money back and then some in her civil suit.

There’s a bar two blocks away. I know because I’ve worked a surprising number of cases at this club. Bentley’s Dive is something of a gem. It’s quiet and lit well enough to know how much regret I feel in the morning over the one-night-stand I meet there.

I never spend the night alone after I meet a target in person, which I rarely do. It’s impossible to know who can find me despite the security in my building and the fake names I do business under. I don’t have a boyfriend or roommate, and the guard puppy the humane society told me was an akita mix, grew up to be a medium sized dog who would sooner roll over for an intruder than bite him. The humane society does not take kindly to returns, but they do take them. So, besides me, my apartment is empty.

But I’m not going to sleep if it stays empty tonight.

I’m relieved to see an open stool at the bar. When I hop up onto it, sandy-haired guy in rolled up sleeves leans his palms on the counter. “What can I get for you?”

I study his face a moment, taking in his green eyes and freckles he should have grown out of years ago. “You’re new.” Maybe I frequent this bar too…frequently.

He pushes off the bar. “Yeah. Do you want a drink?”

“Old fashioned.” I put my hand out. “Wait, have you learned how to make one of those, yet?”

He glowers at me as he thumps the squat tumbler against the bar. “Ice?”

I nod. “What’s your name?”

“Cal,” he answers without looking up from the glass.

“Kal as in Superman?”

He shrugs. “It’s a nickname.”

“What’s your real name?”

“Linus.”

“Wow, your parents must hate you.”

He snickers. “You have no idea.” He tips his chin to me. “What’s your name?”

“Estlyn.”

“After E. E. Cummings?”

“Who?” I wink.

Cal coats the rim of the glass with the orange peel then drops it in my drink. “ID.” I reach into my messenger bag and pass him my driver’s license. “Estlyn Collins?” He raises an eyebrow.

“I prefer just Estlyn, like Zendaya or Beyonce.”

“What’s your address?”

I rattle off the phony North Hollywood address I have memorized.

“Mmhmm, and your birthday?”

I give him that, too. It’s only one day different than my real one.

“Where’s your real ID?”

“Excuse you, asshole, that is my real ID.”

He shakes his head as he bends the card back and forth. “You look like you’re nineteen.”

“Then why would I have my ID say I’m twenty-five if I needed to be twenty-one? That’s too great a lie to get away with.”

“Or is it the perfect lie?”

“Look, I have a law degree and a six-figure salary. I’m probably older than you.” I reach for the drink, but he picks it up and steps back from the bar. “Don’t you have other customers to not serve?”

“Where’s your degree from?”

“UCLA.”

Cal clicks his tongue. “Ooo…wrong answer.” He finally passes me my drink and my license.

“Aw, you went to USC, didn’t you?” He nods as I take a sip. “Do you think that’s why you’re behind the bar and I passed it?”

“Can I interest you in a table over there?” He points behind me. “Or the door?”

I shed my jacket revealing the low-cut top beneath. “Can I interest you in a night of no-strings-attached fucking?”

I expect him to be taken aback by my abrupt change in subject, but he responds in kind. “Sure. Do you have a less bitchy friend?”

I lean my chest against the counter to press my less than ample breasts together. “What if I don’t talk the rest of the night? Except, of course, to cry out ‘Linus’ during climax.”

“It’s Cal.”

“Sure,” I shrug, “I could scream ‘Cal’ instead.”

“I have a girlfriend.”

“Ah.” I twist the glass between my fingers. “Can you point me in the direction of someone less romantically entangled or more morally creative?”

Cal sighs and nods to the customer two seats away from me. “Another?” he asks.

I sip my drink and rotate to scan the bar for someone single and worthy of my utmost disrespect. It’s a Tuesday night. It’s not exactly packed in here. While I wait for the right guy to walk in, I pull my business card from my wallet. It’s a simple design—a white background with a black (12) on the front and my work email on the back. In pen I write, listen: there’s a hell of a good universe next door. I swallow the rest of my drink then secure the card and a twenty under the glass.

I relax into the booth Cal pointed toward and scroll through my email for prospective cases. About half of my inquiries concern infidelity, and this batch in my inbox is no different. Since I’m in the revenge business, I get a lot of requests to mutilate philandering dicks.

I have yet to take a machete to someone’s crotch.

Really, is that the most clever way to screw someone for screwing around? Also, I operate (mostly) within the law, and, because I’m a lawyer, I know that the law is a beautiful and fluid concept created to be twisted to fit my client’s needs. So, no, I’ve never accepted ten grand to castrate someone. But I have accepted fifteen to dismantle a cheater’s life brick by slimy brick.

I skim the bolded subject lines of the unread messages until that inquiry from this morning constricts my airways again. It’s not bold anymore. I’ve read it at least a dozen times, the name of the sender more than a hundred. I should reply. I have to. Because if he doesn’t go to me for revenge, he’ll go somewhere else.

“Your change.” I look up from my phone. Cal drops a few dollars and a receipt on my table.

I fold the bills and hand them back. “You need this more than I do, what with that enormous debt from your second-rate alma mater.”

He rolls his eyes, huffing as his fingers comb back his dirty blonde hair. Still, he doesn’t turn down the cash. I pick up the receipt and read the bottom. Cal scribbled the rest of the E. E. Cummings quote I started on my card: let’s go. I flip the receipt over to find he wrote, Shift ends at 10:00. I prefer you scream “Linus.”

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The first and only writing class I ever took was a one semester required course my senior year in high school.  One of our assignments was to interview a first grader and write a children’s book inspired by that student. But, before we could do that, we had to bring in our favorite book from our own childhood. Everyone in the class was thrilled, overcome with nostalgia as they presented that well-loved and tattered book their mom or dad read to them when they were little.

I had nothing.

I whined that I didn’t have a favorite book because my parents hadn’t read to me, and that I lacked reading comprehension because my family culture hadn’t instilled a love of reading in me. PBS children’s programing was my substitute. I even repeated the line my mom used to describe her own childhood: “I was raised by the TV.”

I know. Poor, middle class, American me.

When I started writing religiously about eight years later, I figured I’d never make any money doing it because I wasn’t a reader. Check out any author bio or interview, I bet you my secret unibrow that they mention the books they were addicted to in childhood or adolescence, or at least the authors who influenced them the most.

Sure, I have an author or two who inspire me (Can I get a woot, woot! for Gillian Flynn?). But it wasn’t until last week when I threw on an old DVD while I wrote that I realized exactly what my work most closely resembles.

That’s right. All those years binge watching 30 Rock while doing my math homework or nursing my son or falling asleep on the couch have paid off in the form of some weird ass, rhythmic, and sometimes hilarious book dialogue.

So, all you aspiring writers who don’t like to read, let me tell you why you might just be okay if you watch TV (and movies for that matter).

  1. Stories on screen show more than tell. This is the nature of the medium, but it can also be beautifully transferred to prose. I’ve noticed some of my favorite authors relax into the trap of narrating their character’s feelings instead of crafting each scene to elicit that emotion in the reader. Usually, TV has no choice but to show instead of tell. Better yet, it’s glaring when a television writer slips into expositional or melodramatic dialogue. There are just fewer places to hide bad writing like this on screen.
  2. Characters are forced to have believable dialogue30 Rock has such incredible dialogue that my writing “prophet,” Robert McKee, wrote a whole chapter analyzing it in his book, Dialogue. Conversations in novels can sometimes sound stilted when read aloud––or silently––because they don’t have to be acted. They also can drag out into monologues instead of carrying the momentum of that back-and-forth, tug-of-war on screen conversations must have. As with everything, it’s easier to craft dialogue after witnessing it done well. TV is the place to see this.
  3. On screen storytelling must be concise. TV shows often have time constraints, just as novels have word count limits. Many of my fellow writers struggle to stay under the recommended word count, where as I fight to get to it. While I could tell you it’s because my writing is so fast paced, exciting, and packs a punch, it’s more likely that I’m lazy. However, I learned to say much with little by watching full stories told in twenty-three minute episodes. Watch TV, and you might start to write more with fewer words.

Keep in mind that all of the following applies to well-written TV. Not reality. Not soap operas. Not superhero or cop shows with ridiculous dialogue. Not that you can’t watch bad TV. You probably should. Just like you should read bad books. Just know which is bad and which is well done. Don’t imitate crap.

So, Mom, I thank you for exposing me to well-stellar comedy, to Friends, The Office, Seinfeld, and 30 Rock. Sure, I may not love reading, but at least my characters sound a tad like Tina Fey’s.

And she’s unarguably amazing.

My publisher asks all of the new authors to write a list of our ten favorite movies. Since I spent way more of my life in front of a screen than a page, this was easier than picking ten favorite books. Some of my favorite quotes are included.

1. Sherlock “A Scandal in Belgravia”

Adler: Everything I said–it’s not real. I was just playing the game.

Sherlock: I know. And this is just losing.

2. The Big Sick

Kumail: What’s my stance on 9/11? Oh um, anti. It was a tragedy, I mean we lost 19 of our best guys.

Beth: Huh?

Kumail: That was a joke, obviously. 9/11 was a terrible tragedy.

3. The Big Short

Mark Baum: Ok, I want you to walk back in there and very calmly, very politely tell the risk-assessors to fuck-off!

Vinnie Daniel: Gentlemen, I just spoke with Mark Baum and he says to ‘fuck off.’

4. Money Ball

Billy: Would you rather get one shot in the head or five in the chest and bleed to death?

Peter: Are those my only two options?

5. Silver Linings Playbook

Tiffany: You know, I used to think that you were the best thing that ever happened to me, but now I think that you might maybe be the worst thing. And I’m sorry that I ever met you.

Pat: Good for you. Come on, let’s go dance.

6. Oceans Eleven

Danny: Does he make you laugh?

Tess: He doesn’t make me cry.

7. The Fugitive

State Trooper:  Hey, Doc! We’re looking for a prisoner from that bus-train wreck a couple of hours ago, might be hurt.

Dr. Richard Kimble: Uh, what does he look like?

State Trooper: 6’1, 180, brown hair, brown eyes, beard. See anyone like that around?

Dr. Richard Kimble: Every time I look in the mirror, pal – except for the beard, of course.

8. The Importance of Being Earnest

Algernon: The only way to behave to a woman is to make love to her if she is pretty, and to someone else if she is plain.

9. Midnight in Paris

Ernest Hemingway: You’ll never write well if you fear dying. Do you?

10. La La Land

Mia: I don’t want to do it anymore.

Sebastian: Why?

Mia: Because I think maybe it hurts a little bit too much.

Sebastian: You’re a baby.

“Don’t put so much pressure on yourself,” my husband comforted as I spiraled with a fit of writer’s block. “You can’t expect your first book to be the epitome of literature.”

I narrowed my eyes at him.

Challenge accepted.

Over the next few weeks, I’d drop famous books on the table in front of him and shout, “Debut!” as if this justified my artistic melodrama. Now, I’m going to do the same to you.

1. The Girl on the Train by Paula Hawkins

Yep, debut. #1 New York Times bestseller and now a movie.

2. 13 Reasons Why by Jay Asher

#1 New York Times bestseller and now a Netflix series.

3. Dune by Frank Herbert

Ah, Dune. According to Mr. Wylde, it’s the pinnacle of the science fiction genre.  And, not only was it Herbert’s debut, no one wanted to publish it. (Mr. Wylde showed me Herbert’s publishing story when I was whining about agent rejections.)

4. Sharp Objects by Gillian Flynn

Haven’t heard of this book? Most of my friends haven’t. You’ve heard of Gone Girl, yes? Same author. Except, Sharp Objects is my favorite of Flynn’s books. This debut was on the New York Times Bestseller List for 70 weeks. HBO is producing a limited series based on this novel starring Amy Adams.

5. One of Us is Lying by Karen M. McManus

This book is brand new (2017), a New York Times bestseller, and definitely worth your time. I’m two-thirds of the way through it, and my money’s on Simon.

6. The Notebook by Nicholas Sparks

Cute movie. Terrible book. Inexplicably a New York Times bestseller

7. Twilight by Stephanie Meyer

Yes, this phenomenon of the millennial generation was Meyer’s first novel. Say what you will about Twilight, but commercially, it was a runaway success.

In defense of Mr. Wylde, my first book that he told me not to pull my hair out over did suck. My second, Never Touched, comes out in November. Call it hubris, call it naiveté, but I hope it’ll be the eighth on this list someday.

(This is Part 3 of the series, Twelve Pieces of Flesh where I discuss the crisis of conscience of the Christian writer–say that three times fast. I recommend reading Part 1 and Part 2 before continuing.)

Relax, I don’t mean that f-word.

I mean fuck.

As far as I’m aware, there aren’t any cuss words in the Bible, though Matthew does record Peter using profanity when he denied Jesus (Matthew 26:73-75). Otherwise, the Bible is solidly on the pro-clean language team:

“But now you must put them all away: anger, wrath, malice, slander, and obscene talk from your mouth.” Colossians 3:8

“Let there be no filthiness nor foolish talk nor crude joking…” Ephesians 5:4

“Put away from you crooked speech, and put devious talk far from you.” Proverbs 4:24

The first two verses are prescriptive for churches, the last is for God’s people as a whole. There’s no way around it. God doesn’t want Christians cussing.

The Bible is also clear that our words are a reflection of our character. In Matthew 12:34, Jesus says, “How can you speak good things when you are evil? For out of the abundance of the heart the mouth speaks.”

Therein lies the Christian writer’s conundrum. How does he write his immoral character’s dialogue or narration if that character isn’t able to “speak good things” that Christians are supposed to?

There are a few tricks writers use to write “fuck”-free fiction:

  1. Set the story in a time period where contemporary curse words are anachronistic so the reader doesn’t notice their absence.
  2. Allude to explicit language instead of including it. (“He cursed under his breath.”)
  3. Say “gosh-darn,” “shoot,” and maybe even “crap” if the writer is feeling especially audacious.
  4. Write in the third person to avoid stream-of-consciousness profanity.

Francine Rivers employed all four of these in the only book I’ve read more than once, Redeeming Love. I wouldn’t have read her story six times if it wasn’t moving. But, every time a character said “horse manure” instead of “bullshit,” I was jarred into remembering that this was Christian fiction, not realism.

So, why, if a masterful Christian author can write a clean novel, did I write Never Touched with R-rated profanity? There are three possibilities:

  1. I’m not as skilled a writer as Francine Rivers and therefore incapable of working within such strict constraints.
  2. I’m a sinner.
  3. My protagonist is irreverent and dark and sees no issue with her crude language.

The first two are undeniable.

The third brings me back to Matthew 12:34, “out of the abundance of the heart the mouth speaks.” If you’ll allow me to return to the journalist analogy from Excessive Force, I wouldn’t be a trustworthy reporter if I didn’t allow Sawyer to cuss, to say nasty things like “Fuck him. Please, I mean.” or to think “Every night, I fell asleep to the thought that’d I’d grow the courage Simone did, the strength or balls or foolishness to just say, ‘Fuck it, let the chips fall where they may.'” That’s what’s in Sawyer’s heart, so that’s what comes out of her mouth.

Thus, the crisis: keep my tongue/pen pure or tell the truth.

I chose the latter.

Am I causing you to sin if you read this book littered with “obscene talk?” I can’t cause you to sin. I suppose I could encourage you to. But reading profane talk is the same as reading a news article about a shooting. It’s awful. It’s indignifying. It’s a reflection of the subject’s heart. But it’s not a sin to witness.

If you have personal convictions about reading explicit language, Never Touched isn’t for you. No hard feelings. I’m relieved you know this before reading the book.

If you don’t need your fiction to be “fuck”-free, excellent.

Never Touched isn’t–in any sense of the word.

Next time.

 

(This is Part 2 of the series, Twelve Pieces of Flesh where I discuss the crisis of conscience of the Christian writer–say that three times fast. I recommend reading Part 1 before continuing.)

I am not an author.

I am just a writer.

The distinction is significant, so I hope I can explain it to full justice. Authors create; they invent. They are sovereign over every event within their fictional world, every choice their characters make, every result thereof.

Writers report. They watch scenes unfurl and scribble frantically to catch every detail. They eavesdrop and interview so they can feel what their characters feel, think what they think. Then they rewrite countless times until they are certain the story on the page matches the one they have seen and touched and heard.

And, yes, this story originated in the writer’s mind. The characters aren’t living, breathing humans (or creatures for you non-realism writers). The events didn’t take place within the physical realm. But if writers do their job, the fiction they recorded is as real as what you ate for lunch today–unless, of course, you ate nothing, in which case you should go eat.

By this definition, writers are simply journalists with privileged information. And journalists can witness some gnarly stuff–war, genocide, famine, poverty, violence, trafficking, racism–the scope of the human experience. Though, most journalists tend to favor the unraveling of humanity over the stitching up (“If it bleeds, it leads.”).

A masterful journalist will do his best to record his assignment with artful skill and integrity. When the subject of his interview has shot someone, we expect him to be forthcoming. Sometimes, we expect the gory details. We expect–or at least hope for–the unbiased truth.

But at no point do we blame the journalist for the shooting.

So, why should we blame writers for their characters’ violence?

In Never TouchedI faced the task of recording multiple assault scenes–a few of them sexual in nature. Now, of course, as the writer, I had the choice of how to report these. What exact detail would be necessary to elicit empathy from the reader? How much would be gratuitous? How little would make the reader too comfortable?

Here’s where I landed: Sawyer is the poster child for the ripple effect of abuse. In other words, her story concerns the result of violence, not violence itself. So, while there are scenes of brutality in the story, for the most part, they are alluded to rather than explicitly portrayed.

Does this mean that a Christian writer should never include graphic violence in a story? No! Of course, she can. She should write what she sees, what her reader needs to know, whatever it is that completes the story.

After all, I think we can all agree that those ancient writers splattered the Bible with graphic violence (see Part 1). Why? Because that’s what they saw, that’s what their readers needed to know, that’s what completed God’s story.

I have to wonder if the abundance of violence in the Bible is why we Christians tend to excuse similar content in media more readily than explicit language or sexuality. Some of us who will see a movie rated R for violence won’t see a movie rated PG-13 for sexual content. But, if this is the case, shouldn’t Christians be able to stomach sex scenes as the Bible depicts those, too?

Never cursing, though.

Next time.

It is a rare thing to find your last love in your first. No one told me the same applies to writing fiction.

As I mentioned in my post “The Evolution of Sawyer”, I originally planned for Never Touched to be the love story of Sawyer and Guy A, with her personal trauma creating secondary conflict. In other words, I wanted to write a romance novel without Guy B.

As I wrote my first draft I learned three things:

(1) I am not a romance writer. Maybe it’s my personality. Maybe it’s that I’m philosophically against HEAs. Maybe it’s that I want you to believe those reasons and not the fact that writing romance well is a monstrous task. I used to laugh and tell my husband that love stories were the easiest thing in the world to construct. Oh, how little did I know.

(2) Sawyer is not a romance protagonist. If you asked Sawyer if her story was about finding love, she would laugh in your face. Then she’d pour you a shot of whiskey and say, “We only have a few minutes before he catches us with hooch. Let’s begin…”

(3) Sawyer’s story would be flimsy at best without Guy B. No. That’s not true. Guy A, Guy B, and Sawyer aren’t a love triangle; they are the three legs that her story stands on.

Just because this isn’t a romance novel doesn’t mean Never Touched is devoid of love. It means that love is so much more than attraction and electricity and sex. It’s compassion and devotion and holding the hand of someone who needs you even when they fight to be rid of you. It’s indignation and grief and undeserved heartache. It’s thirst and hunger so the other can be filled. And, sometimes, it’s surrender.

Sawyer and Guy A have all of this. Sawyer and Guy B do, too.

That’s a love triangle.

In other words, if Never Touched was a war for Sawyer’s heart, Guy A and Guy B would be equally matched. They would be worthy opponents. You know how I know? Because Guy B was never supposed to get the girl and he did. I had no choice but to let him after this one stupid chapter I wrote back in November that changed the momentum of the entire story (it’s in the final draft; see if you can spot it). Because half my beta readers were outraged by the ending and half were giddy. Because even Sawyer didn’t know until that critical moment who her heart belonged to.

It’s a stretch to say I crafted this love triangle. Truly, I stumbled upon it. Sawyer forced my hand. That’s just how she is. Guy B is pushy too. I blame him a little. But that’s the most rewarding kind of writing, isn’t it: when you learn your characters’ desires better than they do and scramble to write down their choices as they make them?

I can’t wait to hear what you think of Sawyer’s choice. Until then, here’s what I want to know: what’s your favorite love triangle in literature, television, theatre, or film? Mine: Jane, Michael, and Rafael in Jane the Virgin. I sympathized with both Michael and Rafael. I rooted for either in different episodes. I couldn’t predict who Jane would choose in the end. That is a well-crafted love triangle.

That’s my favorite. What’s yours?

Psst…that’s what the comment section is for.

 

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My journey to being a published author has been a little Legally Blonde-esque, but my publisher wants all the new authors to write a post that could be helpful to other writers. So, here’s the advice I’d give to myself when I started. Hopefully, it’ll be helpful to you!

1. Write like no one is going to read it. Edit so anyone can read it.

You don’t have to read any further. This is my best advice.

I wrote my first book paralyzed with the fear that people would judge me by my writing. Consequently, the end product was awful and will never see the light of day.

Then, I remembered why I write: because my brain hurts when I don’t. Writing is therapy, and therapy only works when I’m honest.

So, when I started writing Never Touched, I assumed no one would want to read a twisted story narrated by an irreverent teenager and written by a Christian author. I had never read a book in the New Adult genre and didn’t have a particular reader in mind when I started. I just wrote the most genuinely flawed protagonist I could and let her tell her story. Anytime I was concerned that her words were too brash or too dark, I let her say them anyway because at least they were true.

2. Take a shower.

Or sit in traffic with the radio off. Or go for a walk with your cell phone in your pocket. You’ll be amazed at the scenes your brain comes up with when it’s resting.

Shower-Principle-30-Rock

3. Collect helpful quotes about writing from the greatest.

I have a cork board in my bedroom (where I usually write) with advice from Hemingway, James Patterson, and Stephen King. I also keep marked-up drafts of my old chapters from writer’s group there for encouragement and to remind me of my habitual mistakes.

4. Make characters so real they can make their own choices

Get to know your protagonist. If she’s not like you, research, research, research (but don’t let this stop you from getting started on your first draft). I spent a lot of time learning about the psychological and social effects of sexual abuse and trauma, including consulting health professionals and reading a survivor memoir, Not My Secret to Keep.

Next, empathize completely. Be so honest with your own emotions it makes you uncomfortable, then write your character’s experiences out of that discomfort. Get personal. It’s fiction. No one needs to know where you end and the protagonist starts or if there is any overlap at all. For more about how I developed my protagonist, check out The Evolution of Sawyer.

5. Throw away your first draft

I was about 60,000 words into a very different version of Never Touched when I read Gillian Flynn’s Sharp Objects and started Dark Places. I took two long days off from writing to evaluate my voice as an author, and realized my current draft wasn’t me, and, more importantly, wasn’t Sawyer. On the third day, I opened a new document and started over.

Subpoint: read! Read everything!

6. Share your draft with semi-honest friends.

Honesty is over-rated. My best friend, Stacey, is my go-to affirmer. I call her every time I have a “creative crisis,” and she is always excited to read my roughest chapters. Her unwavering enthusiasm keeps me going even when I doubt myself.

Find someone who will tell you to keep writing even when your chapters suck. Find a friend who is willing to blindly support you. Find a Stacey.

7. Join a writer’s group with real, live people.

No, online doesn’t count. My writer’s group taught me grammar, story structure, how to use dialogue tags (I abused those liberally). We celebrate each other in our success and encourage each other in failure. No excuses. Join one. If there isn’t one in your area, start one.

8. Find a mentor.

Rebecca Forster, is a USA Today best-selling author, friend of my aunt, and one of the most selfless humans I’ve interacted with. I’ve never met her in person, but she offered to read my first three chapters and query letter. Then she told me they both had serious problems. After that heart-breaking news, I bombarded that poor woman with a deluge of questions for weeks. God bless her.

9. Throw away your second draft.

Because your mentor said so.

10. Cry for a day (I told you the advice went downhill after #1).

Yep, feel your dream crumble, fall, and crush you because your beautiful brain baby isn’t as cute as you thought it was.

11. Get over yourself and rewrite.

Yes, all 70,000+ words.

12. Build a platform because agents and publishers want this.

No, I have no idea how to do this, so ask someone else for advice. But, definitely get advice.

13. Write and rewrite your query letter.

Take this seriously. Read articles written by agents about what they want to see in a query letter, then follow those rules to a tee. Share it with your writer’s group and/or mentor before you send it out.

14. Send the letter to 40 agents and publishers to start (40 more after 2-3 months).

I decided not to give up until I had been turned down or ignored by 100 agents and publishers. Thankfully, I was rejected by fewer than ten before Crimson Tree offered me a contract. This was only 13 days into my pursuit of a book deal (praise, God!). I’m still getting agent rejections in my inbox. Yes, even though I have a publishing contract it still stings. But, joke’s on them, right?

15. Cry tears of joy when you get a contract.

…even though it confuses your three-year-old.

16. Send your mentor See’s Candies as a thank-you.

Call everyone! Thank everyone who helped you! Especially because they aren’t even close to being done helping you.

17. Don’t overthink your next project.

Repeat step one. Write like no one is going to read it. It got you this far.

 

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